V/A "Electronic Voyages: Early Moog Recordings 1964-1969" (vinyl LP)
Artist: [Various Artists - compilation]
Title: Electronic Voyages: Early Moog recordings 1964-1969
Label / CAT#: Waveshaper Media / WSM-03
Format: Vinyl LP
WHITE-VINYL-EDITION is limited to 300 copies, and is a SUCTION.SHOP direct-order exclusive. The white-vinyl edition is only available from our North American shop:
Note: This release is not available in digital download format, and does not include a digital audio download.
USA/North American customers: this item is also available from our shipping location in Canada for cheaper shipping / no duty fees. USA packages ship with USPS rates.
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ABOUT THIS RELEASE:
In support of their forthcoming Bob Moog documentary Electronic Voyager, Waveshaper Media have produced a compilation LP of Moog recordings from the 1960s. The first compilation of its kind, Electronic Voyages: Early Moog recordings 1964-1969 contains tracks by Robert Arthur Moog, Herbert Deutsch, Joel Chadabe, Lothar and the Hand People, Intersystems, Ruth White, Max Brand, and Paul Earls. All of these tracks, released here on vinyl in an edition of 1000 copies, have been scarcely heard and difficult to track down, with all but three of them previously unreleased on vinyl.
Bypassing the Moog synthesizer’s backseat appearance on key pop recordings by the likes of the Beatles, the Doors, and the Beach Boys, Electronic Voyages aims to highlight the diverse approach of 1960s musicians and composers who adopted the Moog as their primary instrument; these recordings all feature the Moog synthesizer front and centre. Beginning with an “audio letter” (The Abominatron) from Bob Moog to his musician-muse Herbert Deutsch, demonstrating some of the first Moog synthesizer prototype’s capabilities, Electronic Voyages veers from avant-garde and electronic soundscapes, to psychedelic madness and summer-of-love pop. In the 1960s, the Moog synthesizer was a new, groundbreaking instrument, and its use was completely uncharted territory. The pioneering use of the Moog on all of these recordings sounds fresh today - you can sense the wide-eyed exploratory delight unfolding, and the disparate results range from endearingly naive (Lothar and the Hand People, Paul Earls) to downright eerie (Ruth White, Intersystems).
The musicians and composers behind these Electronic Voyages may have been among the first to adopt Moog synthesizers, but the fact that they so readily found within them expressivity, heart, and a means to translate their wondrous sense of discovery, speaks far more to Bob Moog’s visionary invention and enduring legacy.
The LP contains 8 songs, and is housed in a stunning silver-foil block printed jacket, full-colour inner sleeve, and a 4-page essay insert. Designed by acclaimed firm Mucho (Check: https://wearemucho.com/project/electronic-voyager). Limited to 1000 copies, with 300 copies available on white-vinyl. The WHITE-vinyl edition is available exclusively via direct-order from this very shop!
A1. Robert Arthur Moog - The Abominatron (1964)
A2. Herbert Deutsch - Jazz Images, A Worksong And Blues (1967)
A3. Joel Chadabe - Blues Mix (1966)
B1. Lothar and the Hand People - Milkweed Love (1968)
B2. Intersystems - Changing Colours (1968)
B3. Ruth White - The Clock (1969)
B4. Max Brand - Triptych (1969)
B5. Paul Earls - Monday Music (1968)