Allen Ravenstine "Electron Music", "Shore Leave" (2x CD-EPs)
Artist: Allen Ravenstine
Release date: November 27, 2020
Title: Electron Music
Label / CAT#: Waveshaper Media / wsm05
Format: CD-EP / digital
Title: Shore Leave
Label / CAT#: Waveshaper Media / wsm06
Format: CD-EP / digital
ALSO available on vinyl (click here for vinyl purchase options) and digital download/stream (click here to purchase from Waveshaper Media on Bandcamp, or visit your favourite audio download store - we're available on all major digital platforms).
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Waveshaper Media is thrilled to present Electron Music, and Shore Leave, two new CD-EPs by former Pere Ubu synthesist and electronic music trailblazer, Allen Ravenstine. These two EPs are the first two parts in Raventine’s new Tyranny of Fiction series. Waveshaper Media first came into contact with Ravenstine when we interviewed him in 2012 for our modular synthesizer documentary I Dream Of Wires.
For those in the know, Allen Ravenstine has been one of the most creative synthesizer players of the past forty-plus years. Ravenstine started out in the mid-1970s experimenting in his Cleveland apartment with an analogue EML 200 synthesizer, eventually creating a piece in 1975 that became known as Terminal Drive. While he had no intention of releasing his compositions, word got out about the kind of sounds he was experimenting with, which led to an invitation to join pioneering “avant garage” group Pere Ubu for the recording of the group’s first 45, “Thirty Seconds Over Tokyo.” He soon joined Pere Ubu full-time, bringing to the band’s sound unpredictable textures, effects, bleeps, squalls, pulsating washes of sound—whatever he felt could enhance the soundscape of the band’s performances and recordings.
By the early 1990s, Ravenstine had grown sick of the road, band infighting and the music industry in general. Deciding a change was needed, he opted to forego music altogether, making his living as an airplane pilot. His music career remained in limbo until 2012, when an interview for the I Dream Of Wires documentary, alongside Robert Wheeler who had succeeded him as Pere Ubu’s synthesist, turned into a recording session for the duo, leading to a series of collaborative releases. As well as having his 1975 Terminal Drive recordings released to great acclaim in 2017, Ravenstine has been prolific in recent years, with Electron Music/Shore Leave now marking his 3rd solo full-length.
Electron Music/Shore Leave brings together ten of the prodigious composer’s most recent lyrical and abstract compositions collectively comprised of the sounds of analogue and digital synthesizers, traditional acoustic instruments and the sampled sounds of birds, dogs and other artifacts of nature. Working prodigiously on a daily basis, over the past two years Ravenstine has amassed a large number of atmospheric recordings that he has intuitively aggregated into groups of five pieces each.
Ravenstine played the majority of the sampled instruments on these recordings as well as piano, Moog theremin, a Roland Aerophone and a bevy of synthesizers including a Korg MS20, EML 200, and a Doepfer Dark Energy. Recording virtually over the internet due to the covid pandemic, collaborators from around the world contributed Ondes Martenot, prepared piano, transverse flute, trumpet, saxophone, double bass and percussion. The result is a heady, disparate brew of compositions that range from abstract to lyrical, in the process conjuring up a bricolage of ambient soundtracks, jazzy miniatures, space age exploration, world music, Erik Satie-like studies and the ghost of Harry Partch. As a collection Electron Music/Shore Leave is a stunningly mature work that provides new and surprising sonic rewards with each and every listen.
Tracklisting - Electron Music:
1. Far Go
3. Going Upriver
4. 110 in the Underpass
Tracklisting - Shore Leave:
1. Shore Leave
2. In Search of Memory
3. Pink Dusk at the Point4. Ninety Miles to the Spanish Harbor
5. Flèche D’Or (Golden Arrow)